Eland, Lindsay. Scones and Sensibility (2009). 309 Pages. Egmont. $15.99
I came across Scones and Sensibility in someone’s blog, though I no longer remember where, exactly. They made it sound good, so I got it through Link+, which was definitely worthwhile. I’ve been cheap and broke recently, so the library has been my friend. Despite it taking over a week for me to finally get around to writing the review, I did really enjoy it.
Twelve year-old Polly Madassa longs for the perfect romance of her favorite novels– Pride & Prejudice and Anne of Green Gables. She longs to be a perfectly polished young lady like those in her novels. However, as a young girl who is expected to help out at her family’s bakery (by making deliveries), Polly cannot do things exactly the way she intended.
Chapter One: In Which My Family Is Introduced and I Contemplate the Less-Than-Desirable Traits of My Dear Sister’s Boyfriend*
It was upon turning the last delicate page of my leather-bound copy of Pride and Prejudice that my transformation into a delicate lady of quality was complete. (1)
Polly’s so-called transformation is the source of the entire plot. She tries hard to be a young lady of quality– she writes with a calligraphy set on old-fashioned stationery, she speaks in an “old fashioned” way, and she indulges in ladylike activities. She’s so blissful that she longs to help other people find her happiness– by setting them up for romance**. Her narration also follows this theme, lending her a lot of personality. Of course, as with all books which feature match-making, things don’t go the way she plans. (Especially not her own romance.) There’s a bit of self-realization, and Polly does seem to grow up a bit before the novel ends.
The biggest issue this book has is that it should probably have been 50 pages or so shorter. It sort of drags toward the middle. However, the story as a whole is cute, our main character is charming and well-meaning, even if she sort of messes things up. Her speech gets a little old sometimes, too. The moments where she breaks character are actually more meaningful than pages and pages of other characters inexplicably accepting her eccentricities.
The Quick Version:
With a cute plot, and endearing characters, this book is a winner– if you can get past the language. It takes a while to get used to Polly’s narration, which (as Jenn from Books at Midnight points out) may be too difficult for its target demographic. The title makes me long for baked goods,*** and the story made me want to curl up with an actual Austen novel and relax. It gets a 3.5 out of 5, because the language is a rather large barrier.
* I noticed the chapter titles first, and they set the tone for the whole book. However, there was an error I noticed (Chapter 14 refers to events in Chapter 15, and those in 15 refer to 14’s title) which was momentarily distracting, but not really a big deal.
**Despite the title, which is reminiscent of Sense and Sensibility, this particular novel is much more closely related to Emma, as Polly spends far too much time match-making to be any other Austen heroine.
*** I went back to my home-town for the 4th of July, and longed for an orange-chocolate scone from Moody’s. Unfortunately, I never got around to buying one, and this book just compounded the longing.