Ebbit, Carolyn Q. The Extra-Ordinary Princess (2009). 324 Pages. Bloomsbury. $7.99
In the peaceful land of Gossling, there are four princesses. The three older girls are beautiful and talented and very good at everything they do– but not the fourth. Amelia’s unruly red hair, imperfect schoolwork, and disdain for anything prim and proper make her a most unlikely princess.
Then a plague sweeps through the land of Gossling, taking the lives of the girls’ parents. With Amelia’s eldest sister too young to rule, the kingdom is left in the hands of their terrifying uncle, Count Raven. But before Count Raven can cast a spell over them to protect his reign forever, Amelia escapes. Now it seems the fate of her sisters– and the kingdom of Gossling– is in the hands of a girl who will prove she is much more than ordinary.
On the sixth day, the queen lay dying. The afternoon was bright, and the sun peeking through the tightly drawn curtain was strong, though outside the heat of the past ten weeks has broken and it was finally fall.
For four months a terrible illness had spread through the small country of Gossling; it spread quickly through the tiny towns and villages, traveling down the long rivers and over high hills, through the country’s dense forests and into its cities. No scientist, doctor, or scholar knew how the sickness spread or how it might be cured. ….
If the book had been what was suggested by the back cover, then it might have been brilliant. Indeed, the concept was a solid one; Amelia, youngest of four, struggles with a sense of self, and feelings of inadequacy. Where her sisters are talented, and everything seems effortless to them, Amelia has to work hard. She is not particularly smart, not particularly graceful, and not particularly anything. She is ordinary, and cannot handle her ordinariness.
When the plague comes to the country, Amelia’s parents send her and her sisters away to their summer home in the mountains. Finally, her parents succumb to the disease, leaving Merrill only 7 weeks shy of the 18 years-old that she needs to be in order to rule. Why they could not have disregarded this rule, I do not know. Seven weeks is not so very much difference, frankly.
So anyway, the Evil Uncle comes– you know he’s evil from the beginning, and it only gets more obvious from there. He turns Merrill into a tree, and Lily and Rose into swans. He misses Amelia, because she is still in the summer palace with chicken pox. From here, things take a steep downturn.
Amelia runs off with her friend Henry and her enemy Meg and begins her adventure in a place called the Sunflower Forest. From there, they travel quite a bit, seemingly unperturbed by the forty-day limit they have in which to save her sisters. Eventually, they end up in the Night Forest, a magical place, where Henry is given a prophesy saying that he will save the kingdom (which he never does), and Amelia gets three magical rocks which she can wish on. I put emphasis on the three because she uses it four times. (Once for Henry, once for Meg, twice for different transportation.)
When Amelia and Henry are in the Mountains, they are distressed that there are only three days left, but when they meet their allies after traveling two days, they state that there are 48 hours remaining until the curse becomes permanent. Time remains an issue through the end of the book, as numbers are simply thrown around “two hours later” “four hours later”, “at two-fifteen in the morning” etc.
On top of all of this, there are many, many fruitless side-plots. Meg is not evil, but spoiled, and she becomes “good”, sort of. Amelia is dyslexic, but it only shows up in one chapter. The plague ends after her parents die, but nobody ever speculates as to its source or purpose, and later in the book, someone mentions checking the progress of the plague. The title “White Queen” is thrown around quite a bit, but at times it seems it is meant to be secret, and at times it seems to be public knowledge. Amelia and her sisters have their own magic, but it rarely manifests itself, except when convenient. Henry is a gardener’s son, but the queen took an interest in him and nursed him herself, making him Amelia’s “milk twin” but this is never really explained.
There is so much going on in this book that at times it seems to lose track of itself, which is unfortunate, because it has a lot of potential. The concept is good, and with a few less distracting side-plots, and some more focus on fixing inconsistencies, it could have actually been a good book. In part, it was the writing, and in part it was the editing which doomed this book to score a 2/5.