Ikezawa, Satomi. Othello 4 (2005). 192 Pages. Del Rey. $10.95
Quiet and timid Yaya Higuchi doesn’t know it, but she has another personality– the outgoing and determined Nana. Unfortunately, quite a few people are very interested in the very noticeable Nana, most notably Shohei, Yaya’s idol.
So far, Nana has gotten Yaya into as many bad situations as she has gotten her out of. Sure, she got rid of Seri and Moe, but her attention-grabbing ways have brought her to Megumi Hano’s attention, and that may not be a good thing. Meanwhile, Moriyama has figured out that Nana and Yaya are the same girl, and does his part to try to protect the innocent Yaya from Nana’s mistakes.
At the end of volume 3, Megumi Hano asks Yaya to help her track down Nana, and Yaya agrees, wondering what she’s getting herself into. In volume 4, we find out.
In This Volume
Hano convinces Yaya to help her find Nana at their school, which is no mean feat, considering how many students there are.
Yaya gets a job with Hano’s father’s talent agency, which is not exactly what it seems, and may not be the good idea Yaya initially thought it was.
Nana gets Yaya out of some financial troubles.
And Hano gets suspicious of the relationship between Yaya and Nana.
I don’t really like the fake-friends that seem to make so many appearances in these series, I consistently think of Sae from Peach Girl when looking at Hano– who calls herself “Hano-chan” which is approximately the equivalent of speaking about yourself in third person constantly. Giving yourself honorifics just isn’t done, and Hano’s use of it is one of the more obvious displays of how unhinged she might be.
Yaya has more issues, and Nana seems to be getting her into a lot of trouble, even when she tries to protect her. The dynamics are interesting, and because this is the 4th book of 7, things are really beginning to build toward a climax.
This particular volume gets a 3.5/5, because I am so very annoyed by parts of it.