Tag Archives: dystopian future

The Other Side of the Island

Goodman, Allegra. The Other Side of the Island (2008). Razorbill. 272 Pages

From Goodreads

Honor and her parents have been reassigned to live on Island 365 in the Tranquil Sea. Life is peaceful there, the color of the sky is regulated by Earth Mother, a corporation that controls New Weather, and it almost never rains. Everyone fits into their rightful and predictable place. . . .

Except Honor. She doesn’t fit in, but then she meets Helix, a boy with a big heart and a keen sense for the world around them. Slowly, Honor and Helix begin to uncover a terrible truth about life on the Island: Sooner or later, those who are unpredictable disappear . . . and they don’t ever come back.

First Lines

All this happened many years ago, before the streets were air-conditioned. Children played outside then, and in many places the sky was naturally blue. A girl moved to a town house in the Colonies on Island 365 in the Tranquil Sea.

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All These Things I’ve Done

Zevin, Gabrielle. All These Things I’ve Done (2011). Macmillan. 367 Pages. $2.99

Birthright | Book One

From Goodreads

In 2083, chocolate and coffee are illegal, paper is hard to find, water is carefully rationed, and New York City is rife with crime and poverty. And yet, for Anya Balanchine, the sixteen-year-old daughter of the city’s most notorious (and dead) crime boss, life is fairly routine. It consists of going to school, taking care of her siblings and her dying grandmother, trying to avoid falling in love with the new assistant D.A.’s son, and avoiding her loser ex-boyfriend. That is until her ex is accidently poisoned by the chocolate her family manufactures and the police think she’s to blame. Suddenly, Anya finds herself thrust unwillingly into the spotlight–at school, in the news, and most importantly, within her mafia family.

First Lines

The night before junior year– I was sixteen, barely— Gable Arsley said he wanted to sleep with me. Not in the distant or semidistant future either. Right then.

Admittedly, my taste in boys wasn’t so great. I was attracted to the sort who weren’t in the habit of asking permission to do anything. Boys like my father, I guess.

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Daughter of the Centaurs

Klimo, Kate. Daughter of the Centaurs: Centauriad #1. (January 24, 2012). 384 Pages. Random House. $10.99

First, a brief disclaimer. I received an advance copy via NetGalley in August, 2011. It is entirely possible there have been changes. All opinions expressed are my own, and have not been influenced by the publisher. Expected publication is January 24, 2012.

From Goodreads

Malora knows what she was born to be: a horse wrangler and a hunter, just like her father. But when her people are massacred by batlike monsters called Leatherwings, Malora will need her horse skills just to survive. The last living human, Malora roams the wilderness at the head of a band of magnificent horses, relying only on her own wits, strength, and courage. When she is captured by a group of centaurs and taken to their city, Malora must decide whether the comforts of her new home and family are worth the parts of herself she must sacrifice to keep them.

First Lines

For as long as she can remember, Malora has dreamed of dancing with horses.

“Daughter of the Mountains,” Malora’s mother calls her, for her skin and hair are the dusky red-brown of the rocks, and her upturned eyes– so like her father’s– are the vivid blue-green of the nuggets of malachite that dot the streams running down from the peaks.

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Under the Never Sky

Rossi, Veronica. Under the Never Sky (January 3, 2012). 384 Pages. HarperCollins. $9.99

From Goodreads

Aria is a teenager in the enclosed city of Reverie. Like all Dwellers, she spends her time with friends in virtual environments, called Realms, accessed through an eyepiece called a Smarteye. Aria enjoys the Realms and the easy life in Reverie. When she is forced out of the pod for a crime she did not commit, she believes her death is imminent. The outside world is known as The Death Shop, with danger in every direction.

As an Outsider, Perry has always known hunger, vicious predators, and violent energy storms from the swirling electrified atmosphere called the Aether. A bit of an outcast even among his hunting tribe, Perry withstands these daily tests with his exceptional abilities, as he is gifted with powerful senses that enable him to scent danger, food and even human emotions.

They come together reluctantly, for Aria must depend on Perry, whom she considers a barbarian, to help her get back to Reverie, while Perry needs Aria to help unravel the mystery of his beloved nephew’s abduction by the Dwellers. Together they embark on a journey challenged as much by their prejudices as by encounters with cannibals and wolves. But to their surprise, Aria and Perry forge an unlikely love – one that will forever change the fate of all who live UNDER THE NEVER SKY.

First Lines

They called the world beyond the walls of the Pod “the Death Shop.” A million ways to die out there. Aria never thought she’d get so close.

She bit her lip as she stared at the heavy steel door in front of her. A display screen read AGRICULTURE 6–NO ENTRY in flashing red letters.

Ag 6 was just a service dome, Aria told herself. Dozens of domes supplied Reverie with food, water, oxygen– all the things an enclosed city needed. Ag 6 had been damaged in a recent storm, but supposedly the damage was minor. Supposedly.

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Blood Red Road

Young, Moira. Blood Red Road (2011). 464 Pages. Simon & Schuster. $17.99

Dustlands: Book One

This review is pre-release: It comes out June 7, 2011.

From Goodreads:

Saba has spent her whole life in Silverlake, a dried-up wasteland ravaged by constant sandstorms. The Wrecker civilization has long been destroyed, leaving only landfills for Saba and her family to scavenge from. That’s fine by her, as long as her beloved twin brother Lugh is around. But when a monster sandstorm arrives, along with four cloaked horsemen, Saba’s world is shattered. Lugh is captured, and Saba embarks on an epic quest to get him back.

Suddenly thrown into the lawless, ugly reality of the world outside of desolate Silverlake, Saba is lost without Lugh to guide her. So perhaps the most surprising thing of all is what Saba learns about herself: she’s a fierce fighter, an unbeatable survivor, and a cunning opponent. And she has the power to take down a corrupt society from the inside. Teamed up with a handsome daredevil named Jack and a gang of girl revolutionaries called the Free Hawks, Saba stages a showdown that will change the course of her own civilization.

First Lines*:

The day’s hot. So hot an so dry that all I can taste in my mouth is dust. The kinda white heat day when you can hear th’earth crack.

We ain’t had a drop of rain fer near six months now. Even the spring that feeds the lake’s startin to run dry. You gotta walk some ways now to fill a bucket. Pretty soon, there won’t be no point in callin it by its name.

Silverlake.

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Ship Breaker

Bacigalupi, Paolo. Ship Breaker (2010). 323 Pages. Hachette Book Group. $17.99

I feel like I’ve inadvertently written an essay about this book, but if you’re interested in reading more, by all means, click through.

Synopsis

Mankind has caused the ice caps (or at least most of them) to melt and raise the water levels, in most cases, far more than was ever predicted. As a result, many cities were lost, and much technology is gone. There are two groups remaining; the rich and the poor. The rich are ultra-rich, living on clipper-ships (which are like yachts, but nicer) and controlling the fate of the poor, whether or not they are aware of it. The poor, meanwhile struggle to get by, working at whatever jobs they can find, and dreaming of a better life.

On the beaches of a greatly-expanded Gulf Coast, Nailer works as part of a scavenge crew, breaking down ancient oil tankers for scrap. Specifically, Nailer works on light-crew; the group of youths who are small enough to fit into the ducts and reclaim copper wire*. It is dangerous, dirty work with a high mortality rate, and every time Nailer crawls into the ducts, he hopes it won’t be his last. He dreams of a bit of luck, and hopes for a day when he won’t have to work on the ships to survive.

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Rot & Ruin

Maberry, Jonathan. Rot & Ruin (2010). 458 Pages. Simon & Schuster. $17.99

Don’t let the cover put you off. It’s a creepy book, at times, but not as creepy as the eyeball seems to suggest.

Synopsis

Benny Imura has only vague memories of the night his parents died. What he does remember paints a bleak picture; his father was a zombie, his mother facing imminent death, and his brother was the coward who took him and ran, leaving their parents behind. Despite what everyone seems to think about Tom Imura, Benny knows the truth; his brother is a coward.

On Benny’s fifteenth birthday, he becomes an “adult,” and has six weeks to find a job, or his rations will be cut in half. With hunger looming, and the best jobs long gone, Benny turns to his brother, Tom the Bounty Hunter– zombie killer for hire– to ask for a job. He doesn’t want to join the “family business” but doesn’t see any alternatives.

What he learns about the world outside his town’s fences– the Rot & Ruin– and about his brother will change Benny’s life forever.

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Zombies vs Unicorns (Anthology)

Black, Holly & Justine Larbalestier (ed) Zombies Vs Unicorns (2010). 415 Pages. Simon & Schuster. $16.99

The thing which actually made me want to read this anthology was Diana Peterfreund’s addition “The Care and Feeding of your Baby Killer Unicorn,” which is set in the same universe as Rampant. However, I am glad I took the time to read this, since I enjoyed almost every story in the book (at least on some level.)

The offerings are mixed, but are all labeled as either “Team Zombie” or “Team Unicorn,” with only one (I think) that has both zombies and unicorns. Additionally, the top corners of the pages are also marked by either a Zombie or Unicorn logo, making quick-scans for specific stories easy. A few of them were sweet, one or two romantic, and a couple actually bleak. I’m glad I took the time to read this, though.

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Sunshine

McKinley, Robin. Sunshine (2010 ed). 405 Pages. Speak. $8.99

Sunshine is not a vampire story the way Pegasus is not about winged horses. Sunshine is about Rae Seddon– commonly called Sunshine– a young woman whose life is forever altered by her choice to go out to the local lake, alone, and at night. It is there that she is grabbed by Others and dragged to a remote, abandoned house.

At first Sunshine is confused, because she isn’t dead yet, and Vampires don’t usually play with their food for long. However, she is not alone in the abandoned mansion; she is to be dinner for Con, a vampire no freer than she is.

To get out of this alive, Sunshine needs his help, and strangely enough, he needs hers.

First Lines

It was a dumb thing to do but it wasn’t that dumb. There hadn’t been any trouble out at the lake in years. And it was so exquisitely far from the rest of my life.

Monday evening is our movie evening because we are celebrating having lived through another week. Sunday night we lock up at eleven or midnight and crawl home to die, and Monday (barring a few national holidays) is our day off. Ruby comes in on Mondays with her warrior cohort and attacks the coffeehouse with an assortment of high-tech blasting gear that would whack Godzilla into submission: those single-track military minds never think to ask their cleaning staff for help in  giant lethal marauding creature matters.

Thoughts

While Sunshine’s world is similar to ours, it is not ours. It is a sort of parallel dystopia, in which the Voodoo Wars– a battle between the Humans and the Others– have left humanity struggling to rebuild in a wasteland. This world is simultaneously eerily similar to, and startlingly different from our own*. There is a lot going on here; the human population has been decimated, Others are discriminated against, part-bloods held responsible for their heritage, cities are slowly growing, around the “bad spots,” and places like Charlie’s Coffeehouse are small havens from the insanity.

I think the world-building may be my favorite part of this book, actually. The characters come second to the world for me. I wanted more about the world, more about the why, the what, the how. Things are hinted at, bits are mentioned, there are “bad spots” where humans dare not go, left-overs of powerful magic. But why are they there? My curiosity was not completely satisfied, which was a little frustrating, because I’m usually quite content with her worlds.

I do like Sunshine, but she is not the strongest female McKinley has ever written, and I have an affinity for the strong girls. At first, Sunshine is rather inactive, she is victimized, and spends a lot of time recovering from the trauma. She struggles with her sense of self, with needing support and being afraid to reach for it, with the ramifications of what exactly she has done, and with her bond.

Something which is particularly problematic to me are the relationships in this book. Sunshine is dating Mel**, but they seem stuck in a sort of loose dating, where they’re together when it’s convenient. Sunshine never seems to talk about things to him, and though he could be there for her if she just asked, she doesn’t. There are hints about her heritage, things which her mother may have been hiding, but it is never verified, it remains Sunshine’s theory, and is never really tested. She’s surrounded by family and friends and people who care about her, and some of them are powerful enough in their own right that they could protect her, but she doesn’t turn to any of them. She instead relies upon a Vampire who she has only known for a brief amount of time.

When I first read this book, I remember really liking it. I was on a vampire kick, and I was reading everything I could. This was not a YA book then, but that didn’t stop me. Looking at it, and having read it, I wonder if it is a YA book now. There is a fairly explicit scene around page 250 which left me wondering if it should be called YA. I don’t necessarily feel that teens need to be protected from everything sexual, but I felt a little awkward reading this scene, and I’m an adult. I imagine most teens would either be titillated or would feel as awkward as I did.

It is sad, knowing that I will never know more. McKinley doesn’t write sequels. She may eventually venture back into the same world, if her muses drag her there, but this is the only guaranteed book in this setting. It’s a pity, because there is so much you can do with a post-apocalyptic world. There are options, and ideas, and worldwide locations.

Anyway, this volume gets a 4/5. There is a lot more that could have been done with Sunshine, and I wasn’t wholly satisfied (and not just because I wanted more, which is a good sort of unsatisfied.) It is worth reading, because it is enthralling, and it’s very different from what you expect, if you’ve been told it’s a vampire book, because it’s not. There are vampires, but ultimately, this book is about Sunshine.

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* It left me thinking of Kim Harrison’s Rachel Morgan world, actually.

** I like Mel, a lot. He’s got magical tattoos, which remind me of Pritkin’s tattoos from Karen Chance’s books.

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