Tag Archives: fairy tale rewrite

Followed by Frost

Holmberg, Charlie N. Followed by Frost (2015). 47North. 232 Pages

24524971From Amazon

Seventeen-year-old Smitha’s wealth, status, and beauty make her the envy of her town—until she rejects a strange man’s marriage proposal and disastrous consequences follow. Smitha becomes cursed, and frost begins to encompass everything she touches. Banished to the hills, hunted by villagers, and chilled to the very core of her soul, she finds companionship with Death, who longs to coax her into his isolated world. But Smitha’s desire for life proves stronger than despair, and a newfound purpose gives her hope. Will regrets over the past and an unexpected desire for a man she cannot touch be enough to warm Smitha’s heart, or will Death forever still it?

First Lines

I have known cold.

I have known the cold that freezes to the bones, to the spirit itself. The cold that stills the heart and crystallizes the blood. The kind of cold that even fire fears, that can turn a woman to glass.

I have seen Death.

The cold lured him to me. I saw him near my home, his dark hair rippling over one shoulder like thick forest smoke as he stooped over the bed of the quarryman’s only son.

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Spinning Starlight

Lewis, R.C. Spinning Starlight. (2015). Disney-Hyperion. 336 Pages

SpinningStarlightFrom Goodreads

Sixteen-year-old heiress and paparazzi darling Liddi Jantzen hates the spotlight. But as the only daughter in the most powerful tech family in the galaxy, it’s hard to escape it. So when a group of men show up at her house uninvited, she assumes it’s just the usual media-grubs. That is, until shots are fired.

Liddi escapes, only to be pulled into an interplanetary conspiracy more complex than she ever could have imagined. Her older brothers have been caught as well, trapped in the conduits between the planets. And when their captor implants a device in Liddi’s vocal cords to monitor her speech, their lives are in her hands: One word and her brothers are dead.

Desperate to save her family from a desolate future, Liddi travels to another world, where she meets the one person who might have the skills to help her bring her eight brothers home-a handsome dignitary named Tiav. But without her voice, Liddi must use every bit of her strength and wit to convince Tiav that her mission is true. With the tenuous balance of the planets deeply intertwined with her brothers’ survival, just how much is Liddi willing to sacrifice to bring them back?

Haunting and mesmerizing, this retelling of Hans Christian Andersen’sThe Wild Swans strings the heart of the classic with a stunning, imaginative world as a star-crossed family fights for survival in this companion to Stitching Snow.

First Lines

After sixteen years, you think I’d be used to the incessant buzz of vid-cams swarming to chronicle every breath I take. I’m not. Good thing, too, or I might not have noticed when one of the tiny airbourne devices slips into the hovercar with me like an errant bumblebee.

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Deerskin

McKinley, Robin. Deerskin (1993). 309 Pages. Ace Fantasy. $7.99

Warning: This book deals with rape an other “adult” themes.

From the Cover:

As Princess Lissar reaches womanhood, it is clear to all the kingdom that in her breathtaking beauty she is the mirror image of her mother, the queen. But this seeming blessing forces her to flee for safety from her father’s wrath. With her loyal dog Ash at her side, Lissar unlocks a door to a world of magic, where she finds the key to her survival– and an adventure beyond her wildest dreams…

First Lines

Many years later she remembered how her parents had looked to her when she was a small child: her father as tall as a tree, and merry and bright and golden, with her beautiful black-haired mother at his side. She saw them, remembered them, as if she were looking at a painting; they were too splendid to be real, and always they seemed at some little distance from her, from all onlookers. They were always standing close together as she remembered them, often gazing into each other’s eyes, often handclasped, often smiling; and always there was a radiance like sunlight flung around them.

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Ash

Lo, Malinda. Ash (2010). 272 Pages. Little, Brown Books. $8.99

Aisling is Cinderella, and not Cinderella at the same time. Her mother died when she was young, and her father not long after– though he survived long enough to marry the cruel Lady Isolde. Without her parents to protect her, Ash is at the mercy of her stepmother and her stepsisters, who use her as a maid to settle her father’s debts. Her stepmother especially grinds her down, allowing freedoms only when she is gone.

It is when Lady Isolde, Ana and Clara are gone that Ash learns to live, exploring the magical woods near her home, where she meets Sidhean, an attractive, and strangely protective fairy* who becomes her only friend in this oppressive world.

When Ash is older, things begin to change. She meets Kaisa– the King’s Huntress– who invites her along on a hunt. Desperate to attend, she asks Sidhean for help, which he grants with a steep price. During the hunt, she meets Prince Aidan, heir to the throne, and eligible bachelor.

The hunt leads to the traditional ball, which she attends because Kaisa asks her to– where Aidan is completely enchanted by Aisling– and Aisling must escape before the magic runs out at midnight. Things progress from here in a not-quite Cinderella-esque fashion, and ultimately Aisling finds that she must fight for what she desires.

First Lines

Aisling’s mother died at midsummer. She had fallen sick so suddenly that some of the villagers wondered if the fairies had come and taken her, for she was still young and beautiful. She was buried three days later beneath the hawthorn tree behind the house, just as twilight was darkening the sky.

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Dust City

Weston, Robert Paul. Dust City (2010). 299 Pages. RazorBill. $16.99

From Goodreads:

Who’s afraid of the big bad wolf?

His son, that’s who.

Ever since his father’s arrest for the murder of Little Red Riding Hood, teen wolf Henry Whelp has kept a low profile in a Home for Wayward Wolves . . . until a murder at the Home leads Henry to believe his father may have been framed.

Now, with the help of his kleptomaniac roommate, Jack, and a daring she-wolf named Fiona, Henry will have to venture deep into the heart of Dust City; a rundown, gritty metropolis where fairydust is craved by everyone and controlled by a dangerous mob of Water Nixies and their crime boss leader, Skinner.

Can Henry solve the mystery of his family’s sinister past? Or, like his father before him, is he destined for life as a big bad wolf?

First Lines

Once upon a time, fairydust came from where you’d expect. From fairies. I was only a cub, so I don’t remember much of what the City was like back then. But I have a strong sense that things were different. Dreams could come true. You read about it in the paper. I’ve seen the clippings.

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The Mammoth Book of Regency Romance (Anthology)

Telep, Trisha (ed.) The Mammoth Book of Regency Romance (2010). 592 Pages. Running Press. $13.95

Good lord that was a lot of romance. I do enjoy regency romance quite a bit; it may be my favorite historical era, and it certainly is fun. At just under 600 pages, and 23 stories, it took a while to read. It was worth it, and entertaining, to boot. My biggest complaint might be that several of the stories could have used some more space to grow; they felt rushed with the number of pages they had. Pruning the collection to 20 stories and giving the survivors the extra pages would have done wonders for several of them.

There is no good synopsis for the whole book, and indeed, several which I have found are either inaccurate or misleading, so instead I’ll say a little about each story.

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Rose Daughter

McKinley, Robin. Rose Daughter (1998). 287 Pages. Ace. $6.99

Robin McKinley is known for her fairytale retellings; Beauty and Rose Daughter both retell Beauty & the Beast, while Spindle’s End retells Sleeping Beauty, and Deerskin retells Donkey Skin, which is a lesser known tale, I believe. All of her books exist in worlds steeped in magic, full of amazing things, which is part of why they (and the characters who inhabit them) are so very interesting.

It’s always hard to know what to say about fairytale retellings; everyone knows the basic story, the beginning, and the end. Beauty is taken from her family, and eventually she falls in love with the Beast. It’s that middle part, the part that can vary, the way they get from A to B that really makes the story unique.

Rose Daughter is about Beauty, Jeweltongue, and Lionheart, three sisters who were not very close while they lived in the city– there were too many other things to do. Each girl comes into her own when they move out to Longchance– and Rose Cottage. Jeweltongue learns to sew, and make beautiful clothing, Lionheart disguises herself as a boy and tends to horses, and Beauty gardens. When their father gets a message saying that one of his long lost ships has arrived, he departs, and it is upon his return that he encounters the Beast.

Beauty’s time at the castle is special, and a bit unique. Every day when she wakes up, there are more animals, moving back in thanks to her. There is a mystery– revolving around cheese, though it is not a silly mystery as that statement makes it sound– and some danger. The Beast has hidden depths, and ultimately, Beauty must make a very important choice which changes the course of their life together.

First Lines:

Her earliest memory was of waking up from the dram. It was also her only clear memory of her mother. Her mother was beautiful, dashing, the toast of the town. Her youngest daughter remembered the blur of activity, friends and hangers-on, soothsayers, and staff, the bad-tempered pet dragon on a leash– bad tempered on account of the ocarunda leaves in his food … — the constant glamour and motion which was her mother and her mother’s world.

Thoughts

Rose Daughter may be another Beauty & the Beast retelling, but it is very different from Beauty, this story’s predecessor.

Beauty is, in fact, a beautiful girl, whose talents are mostly of the quiet variety; she is good with plants, roses will grow for her, and she seems to radiate calm and peace, helping her entire family stay together through the worst of it all. Her sisters are flashier, and more vibrant; Jeweltongue is known for her wit and cleverness, Lionheart for her temper and bravery (though each discover more traits which lead to greater happiness), but without Beauty, they would have been lost. Even Beauty’s father discovers a quieter sort of happiness, and his own talent.

The time Beauty spends at the castle is interesting; she is overwhelmed by the silence of the place, and tries to understand (at least a little) the magic which keeps the place running. Her relationship with the Beast is complicated from the start, which somehow makes it easier to accept her feelings for him; she sees early on that there is some humanity in him. Even more interesting is the idea that the Beast is not a Beast because of an enchantress’s curse, but rather because of something else.

Most of the book is very good; we get a lot about Beauty and her family, which makes them feel real. We get less about the Beast, but we still get a fair amount of his story. We lack a lot about the residents of Longchance, which is mostly ok, because the story isn’t about them, but they do play a major role in plot development. There is a difference in chronology between the Beast’s castle and the mundane world, and it is never questioned or explained, just allowed to be. There are a few more things which could have strengthened the story, but it is not bad because they are lacking.

Despite its flaws, it is a good book with a solid story, and is well worth reading. (It also stands up to multiple reads, which is important, as I am known to re-read favorites.) It gets a 4/5.

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The Outlaws of Sherwood

McKinley, Robin. The Outlaws of Sherwood (2003 ed.). 342 Pages. Firebird. $6.99

From the Back Cover

He never meant to be an outlaw. But a split second changed everything.

In the days of King Richard the Lionheart, a young forester named Robin sets out one morning for the Nottingham Fair, but he never arrives. By the end of the day a man lies dead in the King’s Forest, and Robin is an outlaw with a price on his head.

From then on, Robin is on the run, hiding deep in Sherwood Forest– but he is not alone. First joined by his friends Much and Marian, then by more and more people who despise the Norman lords who tax them blind, Robin builds a community of outlaws in a forest who risk the gallows and the sword for the sake of justice. As he does, he gains a new name: Robin Hood.

First Lines

A small vagrant breeze came from nowhere and barely flicked the feather tips as the arrow sped on its way. It shivered in its flight, and fell, a little off course– just enough that the arrow missed the slender tree it was aimed at, and struck tiredly and low into the bole of another tree, twenty paces beyond the mark.

Robin sighed and dropped his bow. There were some people, he thought, who not only could shoot accurately– if the breeze hadn’t disturbed it, that last arrow would have flown true– but seemed to know when and where to expect small vagrant breezes, and to allow for them. He was not a bad archer, but his father had been a splendid one, and he was his father’s only child.

Thoughts

Robin Hood is a legend who changes with every telling. Every version has its own agenda, its own twists, and its own characterization. Some even throw in their own characters, to spice things up, and make it novel again. McKinley’s Robin Hood is a different sort; an unwilling champion, who becomes infamous simply by surviving, and becomes a legend by accident. He inherits an agenda from the beliefs of his fans, and this is what makes him so different.

Robin and Marian may be one of my earliest ships. It started with Disney’s Robin Hood, when you knew they were destined for each other, because they were both foxes, and continued through every version I’ve read since. Robin loves Marian, though he never says as much to anyone, and wants her to stay safe, even if it means staying away. Marian loves Robin, and persists with her visits because she cannot help herself, because she knows she is needed, and because she longs for the freedom the forest offers.

Perhaps my favorite plot which is unique to this version is that of Cecil– a boy who refuses to be stopped by anything. He becomes Little John’s protégé, dogging his mentor’s footsteps, and learning about survival. Cecil and Little John become very important toward the end of the book, when they are the only members of Robin’s band to attend the fateful tournament for the golden arrow. Every version does this scene differently, and it’s the sort of constant which allows comparisons between interpretations. This particular tournament is done well, and serves as a sort of climax to the novel.

All-in-all, I really like this version. I have not re-read it many times, because I read it very slowly. I am not sure why it takes me so much longer, but it is worth the time it takes. It gets a 4/5.

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Spindle’s End

McKinley, Robin. Spindle’s End (2000). 422 Pages. Firebird. $6.99

Princess Briar-Rose would have been special even had her parents not been barren for so long before her birth. She was a Crown-Princess, to become the first queen in nearly 400 years. However, the evil fairy Pernicia has been waiting for a queen for a very long time. On the princess’s name-day, Pernicia takes the opportunity to curse the child; she will prick her finger and die on her 21st birthday.

Shocked, and a bit overwhelmed, nobody reacts but the fairy Katriona, a young woman from far away Foggy Bottom. With the help of another fairy, Katriona whisks the princess away, hoping to hide her, and protect her with “ordinariness.” This gives Rosie the time to grow up, into a strong young woman who has a chance against the dark fate she faces.

First Lines

The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like slightly sticky plaster-dust. (Housecleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn’t, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water.

Thoughts:

Everyone knows Sleeping Beauty. The infant princess, cursed by an evil fairy, saved by a good one. Doomed to prick her finger and die, but not truly. Spindle’s End is simultaneously Sleeping Beauty, and its own tale, and that is what makes it so wonderful. Rosie is anything but the weak-willed, doomed princess who is so often present in this tale. Katriona is far from the silly fairies of Disney fame. The two of them transform the story from a classic into something new, and a bit exciting.

One of the more interesting themes in this book is family, and how everything is about love, rather than blood. Katriona loves Rosie as her own, wanting nothing more than to keep Rosie forever, instead of having to give her back to the royal family, or lose her to the curse. Rosie feels loved, and accepted, but just a little different, a little outside of her family. And the royal family, as distant as they are, clearly love Rosie, too. Peony and Rosie are closer than sisters, the sort of friends who are together through everything.

There are many supporting characters who play a major role in either world-building, or plot-moving. There are very few characters who do not make multiple appearances, and every single character serves a purpose, which can be difficult when writing about an entire kingdom.

I find myself re-reading Spindle’s End periodically, enjoying it in a slightly different way each time. There are a few surprises, the first time, a few details you may have missed in the second read, a few more in the third, and each time, it becomes a richer experience as you get the chance to savor favorite scenes. It’s an enduring favorite, which of course gets a 5/5.

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Book of a Thousand Days

Hale, Shannon. Book of a Thousand Days (2007). 304 Pages. Bloomsbury. $17.95

The Synopsis:

Unlucky Dashti was hopeful when she learned that she would be lady’s maid to the beautiful Lady Saren. Unfortunately for Dashti, her first day of work resulted in her imprisonment in a tower with Lady Saren– they will be there for seven years, or until Saren agrees to marry Lord Khasar. As a contrast to the dark, cruel Lord Khasar, there is Khan Tegus– a man Saren has pledged herself to.

Dashti is resourceful and practical, and has every intention of getting them out of the tower alive, which would be easier if Lady Saren would help. Neither girl has any idea of what awaits them at the end of their time in the tower, and as their food dwindles, they begin to wonder if they will even last that long.

First Lines:

Day 1

My lady and I are being shut up in a tower for seven years.

Lady Saren is sitting on the floor, staring at the wall, and hasn’t moved even to scratch for an hour or more. Poor thing. It’s a shame I don’t have fresh yak dung or anything strong-smelling to scare the misery out of her.

Thoughts:

Based off of Grimm’s “Maid Maleen,” and set in a Mongolia-esque country, Book of a Thousand Days is Dashti’s story, told in journal form. Dashti is a survivor, and against all odds, she has the determination and character to persevere, which is what makes her interesting. Coupled with that determination, however, is a sense of worthlessness; Dashti honestly feels that she has no value beyond her role as Saren’s servant, and it makes her frustrating, at times.

The world is interesting, Dashti’s voice unique, the entire concept brilliantly executed. Saren can be more than a little frustrating at times, as can Dashti’s self-deprecation, when it is clear that she is worth much more than she knows.

Book of a Thousand Days scores a 4.5/5, because it’s brilliant, but the girls could be frustrating.

I really loved this book, however, and it made me want to pick up Tanith Lee’s Claidi books again.

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