Kindl, Patrice. Goose Chase (2010 ed). 214 Pages. Sandpiper. $5.99
Alexandria Aurora Fortunato is a sassy narrator who tells her story with panache. It opens strong, and keeps up the pace and wit throughout. She starts in the middle, works her way back to the beginning, and then finally gets to the end.
The King killed my canary today.
Now, I know full well that the customary way to begin such a tale as mine is: “Once upon a time, when wishes still came true, there lives a poor orphan Goose Girl,” or some such fiddle-faddle. But what do I care for custom? ‘Tis my own story I am telling and I will tell it as I please. And as I find myself plunged into it right up to the neck, I see no reason why you should not be also. (1)
The book was re-released recently with a new cover (right), though I think I prefer the old cover a bit more. Anyway, our narrator and heroine is Alexandria Aurora Fortunato who is, when we first meet her, locked in a tower. A King and a Prince await her decision as to which of them she will marry. Unwilling to choose, and unable to accept the consequences of her decision either way, she stalls for time by insisting that she be allowed to make her own solid gold wedding dress. She will not marry either until it is complete.
Alexandria gains quite a bit of time when her geese manage to save her from the tower and fly her far away, but it is almost worse in the wilderness than the tower. Sure, she no longer has to deal with the issues surrounding her choice between the Prince or the King, but she’s been grabbed by a group of ogresses, and she’s not entirely sure how to escape. Her enchanted hair certainly isn’t helping her case.
Then, just when Alexandria begins to think that things simply cannot get any worse, the Prince is captured by the ogresses. Somehow, Alexandria has to save both their skins, because there is quite a bit more adventure ahead of them.
The climax is hardly surprising, and the ending is completely expected, if you’re familiar with “The Wild Swans,” though it is not the same story, exactly.
With surprisingly strong prose, and a vocabulary which feels a bit dense, even for the junior-high readers it targets, this novel can even be enjoyed by adults. Alexandria is a solid narrator, and a good character who draws you in, and keeps you interested in her story. There are a few things which don’t seem to sync up; The Prince starts out dumb, but without explanation seems to get smarter when it’s convenient, which is rather frustrating. As a whole though, it’s a solid story which I enjoyed reading. It gets a 4/5.