Ikezawa, Satomi. Othello 7 (2006). 192 Pages. Del Rey. $10.95
Yaya Higuchi is your typical Japanese teenager; she goes to school, hangs out with friends, and tries to fit in. Unfortunately, in her efforts to fit in, Yaya has taken it too far, and has become an incredibly quiet, timid girl who gets picked on because she takes it.
Enter Nana, a loud-mouthed opinionated girl who thrives on violence and will enforce Justice upon those who deserve it. She confronts school bullies of varying calibers; from Yaya’s “friends” Seri and Moe to the Hano the pimp, Nana cleans the school. But Nana’s work is never done; there are gropers and molesters and perverts and all sorts of icky people for Nana to beat.
However, there’s more going on for Nana than just Justice; she longs to be a singer, a real rock-star. When an opportunity presents itself (in the form of an invite from Shohei himself) Nana takes it, determined to follow through, no matter what.
Yaya, meanwhile, has withdrawn, unable to comprehend everything which has been going on in her life; she cannot handle the turmoil, and reality is just too upsetting. This leaves Nana in charge of their body until further notice. Will Yaya ever come back? And if Yaya does come back, what will happen to Nana?
In This Volume
Moriyama is worried that Yaya will never come back to him, can he do anything to coax her out? Nana, meanwhile, is pursuing her dream, and wondering what will happen to her if Yaya never returns. Everything comes to a not-so-surprising conclusion.
The series as a whole is very interesting; Nana and Yaya are opposites, completely different people stuck in the same body, yet they need each other. Without Yaya, Nana wouldn’t have restraint, and without Nana, Yaya would lack the courage to do nearly anything. Having been forced to abruptly come to terms with the fact that there she has another personality which she is not aware of is difficult, at best.
Interestingly, the two share the same dream, though Nana pursues music with a more single-minded determination than Yaya, who would not go against her father’s wishes to chase her dream.
There are some issues; characters fade in and out as convenient, setting is frequently established in one frame, and then the characters float in empty panels for a while, and sometimes the story doesn’t seem to know where it’s going. However, the story still fights on through all this, and ends up being a very fun, interesting approach to discovering your identity.
This volume gets a 3.5, because it was a bit rushed, and got a little too cheesy right at the end. However, the series gets a 4/5.